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Catherine Deneuve | Fanette | |
William Hurt | Matt | |
Bernard Le Coq | Bernard | |
Hélène Fillieres | Lucie | |
Gilbert Melki | Alain | |
Nathalie Richard | Brigitte | |
Emmanuelle Devos | Jeune femme cinéma | |
Paulina Porizkova | Mary Rafelson | |
Noémie Godin-Vigneau | Carole | |
François Arnal | Himself | |
Patrice Chéreau | Pierre | |
Daniel Pommereulle | L'éditeur | |
Christian Cloarec | Videur cinéma | |
Ondine Desfosses | La petite fille | |
Thomas Beckett | ||
Merwin Goldsmith | ||
Alan Fawcett | ||
Joris Jarsky | ||
Tony Calabretta | Barman | |
Sam Stone | ||
Cecile Cristobal | ||
Bill Corday | ||
Vie Nystrom | ||
Jacques Bassal | ||
Amanda Strawn | Receptionist |
Regisseur |
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Producent |
Daniel Louis
Denise Robert Olivier Bomsel Émilie Frigola-Salelles |
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Schrijver |
Tonie Marshall
Anne-Louise Trividic |
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Camerawerk |
Agnès Godard
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Muzikant |
François Dompierre
David Hadjadj |
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People and life can be cruel, and in their face, Fannette is cool: toward an old acquaintance, to her daughter, to colleagues. Beneath the surface, she roils with passion for a lost love, Philippe. She watches "An Affair to Remember" again and again, and when she receives a letter from Philippe asking her to meet him atop the Empire State Building, she swoons. She's writing a book on an aged painter, so she organizes a trip to New York ostensibly to secure photographs of some of his pieces. The publisher assigns her a photographer, Matt, on the surface spontaneous and flip, but also aggressive about his attraction to her. Will she be with the one she loves? Will she smile? Written by |
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